Shippensburg University

Search
Search
News
Multimedia
Sports
Ship Life
Opinion
Subscribe
Entertainment
Send a Tip
Podcasts
Donate

Shippensburg University

°
Full Forecast

Monday, November 3, 2025

The Slate

Subscribe

Print Edition

  • News
  • Opinion
  • Ship Life
  • Entertainment
  • Sports
  • Multimedia
  • Send a Tip
  • News
  • Sports
  • Opinion
  • Entertainment
  • Ship Life
  • Multimedia
  • Podcasts
  • Special Issues
  • Send a Tip
  • Donate
Search

Subscribe

 

4/28/2014, 9:38pm

Album Review: “We’re All Right” by Shin High Foxes

By Zachary Davis

Share

  • Share
  • Tweet
  • Mail
  • Print

The Shin High Foxes are a local indie/rock band with punk influences that help them create a unique blend of music only seen in Shippensburg, Pa., and the surrounding areas.

“We’re All Alright,” the band’s first EP (extended play) will be releasing at the end of May, but we snagged an advanced copy to give you a sneak peak.

The album starts off with a musical prelude, which I found a bit boring, not knowing what to expect. Looking back, it seems out of place, not really flowing into the next song at all.

“Hope” the band’s single, sets the mood for the EP with a catchy bassline from Preston Sheaffer as well as haunting vocals. It is by far the catchiest song from the Shin High Foxes and is a great slow, mellow jam that fans of Death Cab for Cutie could appreciate.

“Northeast Binge” continues the trend of prominent, catchy basslines, but really shines when it shows off some of the band’s personalities when they argue who wants to “count it off” before they transition into what sounds like a jam session to finish off the track.

Each song tells part of a story, which is that of self-reflection. It is very relatable for many young people, who are simply trying to find their place in this world. “Collective Philosophy” is a perfect example of this. It is a slower song asking: “If we turn to dirt, tell me what were we worth?”

“Requiem” also helps push the band’s message. This song, written to a gospel hymn, harkens back to the earlier works of Taking Back Sunday. The slow, melodic jam featuring double-canon vocals really hit home.

Perhaps the best compliment that a reviewer can pay to any musician or band is that they could feel the emotion and “get” the message that they are trying to convey.

I certainly felt moved while listening to this EP and would recommend it to any indie/rock fan. But I think it is safe to say that I have hope for this local band as it looks forward to its summer tour and the future ahead

Share



Related Stories

Bruce Springsteen singing at a concert in 2012.

‘Springsteen: Deliver Me From Nowhere” comes up just short

By Mason Flowers

The front cover of Stephen King’s novel “Doctor Sleep.”

Get Booked: ‘Doctor Sleep’

By Abbygale Hockenberry

A.J. Croce at the Luhrs Performing Arts Center.

A.J. Croce brings heart and legacy to Luhrs

By Gabe Rader


The Slate welcomes thoughtful discussion on all of our stories, but please keep comments civil and on-topic. Read our full guidelines here.


Most Popular


10/6/2025, 9:30pm

SU mourns the loss of Robert Lesman, chair of the Global Languages and Cultures department

By Evan Dillow / News Editor

10/8/2025, 1:46pm

The anthropology program at SU draws to a close as Professor Karl Lorenz prepares for retirement


10/7/2025, 6:00pm

Sequins are forever: ‘The Life of a Showgirl’ Review


10/14/2025, 12:10pm

Why is the U.S. Around Venezuela



  • About
  • Contact
  • Advertise
  • Work For Us
  • News
  • Opinion
  • Ship Life
  • Entertainment
  • Sports

All Rights Reserved

© Copyright 2025 The Slate

Powered by Solutions by The State News.